rubitrightintomyeyes:

sully-s:

Part 1 out of 4  It takes place after the game ends. I like the idea of her living a a farm house among the wheat fields 

Reblogging again now that pages 2, 2b, 3, and 4 are done!  

What a sweet comic, and you have such a great style!  This is a lovely little epilogue.

dolliecrave:

worth a read.

resistereeterno:

Marina Abramović, “Rhythm 0,” 1974

Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art. Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted. So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people. 

Her bravest piece, however, is my favorite. This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances. 

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.

samael:

ceilingtheo:

shutupanddiehl:

blingostarr:

buttsexington:

America: Do whatever the fuck you want because America

#or just throw it all into the harbor

image

Does anyone actually follow that ettiquette in England?

Because my understanding of tea ettiquette in England is: OFFER YOUR GUEST TEA AS SOON AS THEY ARRIVE – GIVE THEM THE LARGER MUG, BECAUSE THEN THEY CAN HAVE MORE TEA IN IT, AND MORE TEA IS BETTER – OFFER THEM MORE TEA AS SOON AS THEY HAVE FINISHED THEIR MUG OF TEA, BECAUSE MORE TEA IS BETTER.

IF SOMEONE LOOKS STRESSED, OFFER TO MAKE THEM TEA. IF SOMEONE LOOKS UPSET, OFFER TO MAKE THEM TEA. IF SOMEONE LOOKS TIRED, OFFER TO MAKE THEM TEA. IF SOMEONE HAS JUST COME IN FROM THE RAIN, OFFER TO MAKE THEM TEA. IF SOMEONE HAS JUST RECEIVED BAD NEWS, OFFER TO MAKE THEM TEA. IF YOU ARE WATCHING TV WITH SOMEONE AND THERE IS AN ADBREAK, OFFER TO MAKE THEM TEA. IF YOU ARE MAKING YOURSELF TEA, OFFER TO MAKE EVERYONE ELSE TEA. IF SOMEONE IS NOT CURRENTLY HOLDING A MUG OF TEA, DOUBLE CHECK THAT THAT IS AN INTENTIONAL STATE OF AFFAIRS, AND THEY DO NOT, IN FACT, WANT A CUP OF TEA.

TEA.

Tea, won’t you?

cpieng:

Alladdin’ s Journey  …-..This one i gave up to draw several months ago,i forget what reason, but i think even i am not satisfied with the structure of the picture.I must have to finish it to respect to see it as  creation.  Then this morning i took up the fountain pen again. even i think it is mess and lack of detail but at first I really want to do well. i want to do a conclusion to the part made me feel touch